{"id":90,"date":"2023-06-23T15:52:11","date_gmt":"2023-06-23T15:52:11","guid":{"rendered":"https:\/\/textbook.mediasmarts.ca\/navigatingstudent\/chapter\/camera-shots-angle-and-distance\/"},"modified":"2025-08-26T20:55:53","modified_gmt":"2025-08-26T20:55:53","slug":"camera-shots-angle-and-distance","status":"publish","type":"chapter","link":"https:\/\/textbook.mediasmarts.ca\/navigatingstudent\/chapter\/camera-shots-angle-and-distance\/","title":{"raw":"Camera Shots: Angle and Distance","rendered":"Camera Shots: Angle and Distance"},"content":{"raw":"A movie, TV show, comic or online video is made up of thousands of pictures called shots, <\/strong>each of which must be carefully planned.\r\n\r\nMedia makers choose specific shots to create particular effects. Besides what is in<\/strong> the shot, the two basic elements of a shot are the distance <\/strong>between the camera frame and the subject and the angle <\/strong>from which the camera is viewing the subject.\r\n\r\nTake a look at these shots from the 1946 film The Stranger <\/em>to see how the [pb_glossary id=\"1460\"]director[\/pb_glossary], Orson Welles, and [pb_glossary id=\"1461\"]cinematographer[\/pb_glossary] Russell Metty\u00a0 used distance and angle to tell a story.\r\n

Camera DISTANCE<\/strong><\/h1>\r\n[caption id=\"attachment_89\" align=\"alignleft\" width=\"1024\"]\"A Close-up[\/caption]\r\n\r\nClose-ups<\/strong> are often used to make us feel a character\u2019s emotions. Close-ups can also create tension because we can only see a small amount of the scene. In this shot this is intensified by the use of shadow, so that only a small part of the character is visible. Our close focus on their face also means that the scene in the background is out of focus, increasing the tension and suspense.\r\n\r\n \r\n\r\n[caption id=\"attachment_89\" align=\"alignleft\" width=\"1024\"]\"An Extreme close up[\/caption]\r\n\r\nExtreme close-ups<\/strong>, sometimes called detail<\/strong> or insert<\/strong> shots, are often used to highlight a thing or action as being important. This shot highlights the importance of clocks as an image throughout the story.\r\n\r\n \r\n\r\n[caption id=\"attachment_89\" align=\"aligncenter\" width=\"619\"]\"A Medium shot[\/caption]\r\n\r\nMedium-shots<\/strong> are used to situate a character or action within a scene. In this case, using a medium shot instead of a close-up introduces a key character and also associates them with the image of clocks (the one on the wall and the pocket watch in his hand.)\r\n\r\nMedium shots are also used if you don\u2019t want a shot to have any particular feeling or intensity (they can\u2019t all be intense!)\r\n\r\nIn most medium shots, like this one, the characters and the background are both in focus. This makes them a valuable way of drawing the world that the characters live in.\r\n\r\n \r\n\r\n[caption id=\"attachment_89\" align=\"alignleft\" width=\"1024\"]\"A Two-shot[\/caption]\r\n\r\nTwo-shots<\/strong> are used when you have two characters in the same frame. The characters will often be posed at different distances from the camera to show who\u2019s more important. Here, for instance, the nearer character is in focus, drawing our eyes to them, while the character on the right is out of focus.\r\n\r\n[caption id=\"attachment_89\" align=\"alignleft\" width=\"854\"]\"A Wide shot[\/caption]\r\n\r\nWide<\/strong> or long<\/strong> shots are often used to give us a sense of place, showing us the environment the characters live in. In this case, placing the characters in the middle of a largely empty wide shot gives us a feeling that they are isolated and vulnerable.\r\n\r\n \r\n

Camera ANGLE<\/h1>\r\n \r\n\r\n[caption id=\"attachment_89\" align=\"alignleft\" width=\"949\"]\"A Low angle[\/caption]\r\n\r\nA low angle<\/strong> or worm\u2019s-eye<\/strong> view makes someone look strong, brave or impressive. Here, for instance, we are looking up at the heroine as she climbs a ladder.\r\n\r\n[caption id=\"attachment_89\" align=\"alignleft\" width=\"812\"]\"A High angle[\/caption]\r\n\r\nA high angle<\/strong> or bird\u2019s-eye<\/strong> view is just the opposite, often used to make someone look weak or frightened. In this case, the director has followed a low angle with a high angle to emphasize the character\u2019s sudden vulnerability.\r\n\r\n[caption id=\"attachment_89\" align=\"alignleft\" width=\"966\"]\"A Over the shoulder shot[\/caption]\r\n\r\nConversations between characters are often done with over the shoulder shots<\/strong> like this one. When we only see over one character's shoulder, we usually treat them as our [pb_glossary id=\"1462\"]viewpoint character.[\/pb_glossary]\r\n\r\n \r\n\r\n \r\n\r\n ","rendered":"

A movie, TV show, comic or online video is made up of thousands of pictures called shots, <\/strong>each of which must be carefully planned.<\/p>\n

Media makers choose specific shots to create particular effects. Besides what is in<\/strong> the shot, the two basic elements of a shot are the distance <\/strong>between the camera frame and the subject and the angle <\/strong>from which the camera is viewing the subject.<\/p>\n

Take a look at these shots from the 1946 film The Stranger <\/em>to see how the director<\/a>, Orson Welles, and cinematographer<\/a> Russell Metty\u00a0 used distance and angle to tell a story.<\/p>\n

Camera DISTANCE<\/strong><\/h1>\n
\"A
Close-up<\/figcaption><\/figure>\n

Close-ups<\/strong> are often used to make us feel a character\u2019s emotions. Close-ups can also create tension because we can only see a small amount of the scene. In this shot this is intensified by the use of shadow, so that only a small part of the character is visible. Our close focus on their face also means that the scene in the background is out of focus, increasing the tension and suspense.<\/p>\n

 <\/p>\n

\"An
Extreme close up<\/figcaption><\/figure>\n

Extreme close-ups<\/strong>, sometimes called detail<\/strong> or insert<\/strong> shots, are often used to highlight a thing or action as being important. This shot highlights the importance of clocks as an image throughout the story.<\/p>\n

 <\/p>\n

\"A
Medium shot<\/figcaption><\/figure>\n

Medium-shots<\/strong> are used to situate a character or action within a scene. In this case, using a medium shot instead of a close-up introduces a key character and also associates them with the image of clocks (the one on the wall and the pocket watch in his hand.)<\/p>\n

Medium shots are also used if you don\u2019t want a shot to have any particular feeling or intensity (they can\u2019t all be intense!)<\/p>\n

In most medium shots, like this one, the characters and the background are both in focus. This makes them a valuable way of drawing the world that the characters live in.<\/p>\n

 <\/p>\n

\"A
Two-shot<\/figcaption><\/figure>\n

Two-shots<\/strong> are used when you have two characters in the same frame. The characters will often be posed at different distances from the camera to show who\u2019s more important. Here, for instance, the nearer character is in focus, drawing our eyes to them, while the character on the right is out of focus.<\/p>\n

\"A
Wide shot<\/figcaption><\/figure>\n

Wide<\/strong> or long<\/strong> shots are often used to give us a sense of place, showing us the environment the characters live in. In this case, placing the characters in the middle of a largely empty wide shot gives us a feeling that they are isolated and vulnerable.<\/p>\n

 <\/p>\n

Camera ANGLE<\/h1>\n

 <\/p>\n

\"A
Low angle<\/figcaption><\/figure>\n

A low angle<\/strong> or worm\u2019s-eye<\/strong> view makes someone look strong, brave or impressive. Here, for instance, we are looking up at the heroine as she climbs a ladder.<\/p>\n

\"A
High angle<\/figcaption><\/figure>\n

A high angle<\/strong> or bird\u2019s-eye<\/strong> view is just the opposite, often used to make someone look weak or frightened. In this case, the director has followed a low angle with a high angle to emphasize the character\u2019s sudden vulnerability.<\/p>\n

\"A
Over the shoulder shot<\/figcaption><\/figure>\n

Conversations between characters are often done with over the shoulder shots<\/strong> like this one. When we only see over one character’s shoulder, we usually treat them as our viewpoint character.<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

definition<\/span>