Lesson: Gender Stereotyping in Advertising
In this lesson students explore gender roles in advertising by taking an ad campaign they have seen which is specifically directed to one gender, and redesigning the campaign to target the opposite gender.
Grade range: 9
Time Frame
| One class period (75 minutes) | Two or three class periods (150-225 minutes) | Extended Unit | |
| Activities | Gendered Words
Gendered Ads Masculinity in Advertising
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Gendered Words
Gendered Ads Masculinity in Advertising Remixing Gender
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Introduction
Gendered Words Gendered Ads Masculinity in Advertising Remixing Gender Remixing Gendered Ads |
Preparation:
- Make sure that students are able to access the student chapters.
- If you feel students need a better grounding on the impact of shape and composition on how we interpret a media work, prepare to deliver the chapter How Do We Read Shapes?
- If you have not already delivered the unit Remixing Media, prepare to deliver the chapters What is a Remix? and What is a Critical Remix?
- If students will use existing media for their remix, prepare to deliver the chapter What is Legal and Ethical in Remixing? (if you have not already) and have students access the student chapter Remix Tools: Getting Media.
A printable version of this lesson is available on the MediaSmarts website.
Learning Outcomes
Big ideas/key concepts: Students will understand that…
Media have social and political implications:
- Advertisers use gender stereotypes to sell brands and products
- These stereotypes can influence our ideas of gender
Audiences negotiate meaning:
- Gender stereotypes can be questioned, challenged and remixed
Key questions:
- How do ads use media techniques to appeal to specific audiences?
- What messages do those media techniques communicate about gender?
Essential knowledge: Students will know…
- Reading media: Important visual codes that are used in ads
- Media representation: Reasons why advertisers appeal to gender in marketing, techniques advertisers use to “gender” ads, and possible impacts of gender stereotyping
- Making and remixing: Techniques for “remixing” ads based on audience or message
- Key vocabulary: intersectionality, stereotype
Performance tasks: Students will be able to…
- Find and access a gendered ad
- Demonstrate understanding of how an ad appeals to stereotyped ideas of gender
- Use media tools to create a remixed ad that shows their understanding of advertising techniques or media messages on gender
- Create a remixed ad that engages critically with media messages on gender
Student-friendly outcomes:
- We will learn how advertisers use visual codes and gender stereotypes in ads, why they do this, and key terms like “stereotype” and “intersectionality.”
- We will think about how ads use specific techniques to appeal to audiences and what messages these techniques send about gender.
- We will find and analyze gendered ads, and use media tools to create remixed ads that challenge or question stereotypes about gender.
Curriculum Connections
Strand A: Literacy Connections and Applications
A2. Digital Media Literacy
A2.4 Forms, Conventions, and Techniques
evaluate the use of the various forms, conventions, and techniques of digital and media texts, consider the impact on the audience, and apply this understanding when analyzing and creating texts
A2.5 Media, Audience and Production
demonstrate an understanding of the interrelationships between the form, message, and context of texts, the intended and unintended audience, and the purpose for production
A2.6 Innovation and Design
select and use appropriate digital and media tools to support the design process and address authentic, relevant, real-world problems by developing and proposing innovative solutions
A3. Applications, Connections and Contributions
A3.2 Identity and Community
demonstrate an understanding of the historical contexts, contributions, lived experiences, and perspectives of a diversity of individuals and communities, including those in Canada,
by exploring and analyzing the concepts of identity, self, and sense of belonging in a variety of culturally responsive and relevant texts
Strand C: Comprehension (Understanding and Responding to Texts)
C1. Knowledge about Texts
C1.2 Text Forms and Genres
analyze and compare the characteristics of various text forms and genres, including cultural text forms, and provide evidence to explain how they help communicate meaning
C1.4 Visual Elements of Texts
analyze and compare how images, graphics, and visual design create, communicate, and contribute to meaning in a variety of texts
C1.5 Elements of Style
identify various elements of style in texts, including voice, word choice, word patterns, and sentence structure, and analyze how each element helps create meaning and is appropriate for
the text form and genre
C2. Understanding and Responding to Texts
C2.2 Prereading: Identifying the Purpose for Reading, Listening and Viewing
identify a variety of purposes for engaging with texts, select texts from diverse creators that are suitable for the purposes, and
explain why the selections are appropriate
C2.5 Monitoring of Understanding: Making Connections
connect, compare, and contrast the ideas expressed in texts and their knowledges and lived experiences, the ideas in other texts, and the world around them
C3. Critical Thinking in Literacy
C3.2 Making Inferences
make local and global inferences, using explicit and implicit evidence, to explain and support their interpretations about various complex texts
C3.3 Analyzing Texts
analyze complex texts, including literary and informational texts, by assessing the credibility, reliability, and significance of information and formulating conclusions
C3.4 Analyzing Cultural Elements of Texts
analyze cultural elements that are represented in various texts, including norms, values, social hierarchy, past times, language, and taboos, by investigating the meanings of these
elements, making connections to their lived experience and culture, and considering how the inclusion of these elements contributes to the meaning of the text
C3.5 Perspectives Within Texts
analyze explicit and implicit perspectives communicated in various texts, evaluate any evidence that could suggest bias in these perspectives, and suggest ways to avoid any such bias
C3.6 Analysis and Response
explain how various topics, such as diversity, inclusion, and accessibility, are addressed in texts, respond to the insights and messages conveyed, and different positions presented
C3.8 Reflecting on Learning
assess the effectiveness of the critical thinking skills they used when analyzing and evaluating various texts, and set goals to improve their use
Strand D: Composition (Expressing Ideas and Creating Texts)
D1 Developing Ideas and Organizing Content
D1.1 Purpose and Audience
identify the topic, purpose, and audience for various texts they plan to create; choose a text form, genre, and medium to suit the purpose and audience, and justify their choices
D1.2 Developing Ideas
generate and develop ideas and details about challenging topics, such as topics related to diversity, equity, and inclusion and to other subject areas, using a variety of strategies, and drawing on various resources, including their own lived experiences
D2 Creating Texts
D2.1 Producing Drafts
draft complex texts of various forms and genres, including narrative, persuasive, expository, and informational texts, citing sources, and use a variety of appropriate media, tools, and strategies to transform information and communicate ideas
D2.5 Revision
make revisions to the content, elements of style, patterns, and features of draft texts, and add, delete, revise, and reorganize sentences to improve clarity, focus, and coherence, using various strategies and seeking and selectively using feedback
D3 Publishing, Presenting and Reflecting
D3.1 Producing Final Texts
produce final texts using appropriate techniques and tools, including digital design and production tools, to achieve the intended effect
D3.2 Publishing and Presenting
publish and present texts they have created, using various media and tools, and evaluate how their choices helped them communicate their intended message
Many people identify with more than one historically marginalized or under-represented group. Legal scholar Kimberlé Williams Crenshaw coined the term “intersectionality” to conceptualize “the way that different identity markers, such as race, gender, sexuality, and class, interact and affect each other.
Stereotyping means portraying members of a particular group in just one or a small number of roles, treating all members of a group as being the same, or emphasizing the ways in which a group is different from the (presumed) audience